When life feels chaotic and unstable, it can be hard to carry on creating art the same way. In this art journal entry I share how I change my approach to using my sketchbook and drawing tools in difficult times, to make sure I keep doing the thing I love: sketching.

Sometimes what grabs our interest or sparks inspiration can come in simple everyday moments. Like picking apples in your grandparent’s garden. Taking the time to notice these things and record them down is something that I value more and more each time I do it.

Sketching supplies in hand, I revisited an art exhibit I visited earlier in the year. The Ruskin Collection rotates out occasionally, and this time the exhibit was themed around colour. Watercolour pigments, natural fabric dyes, colourful paintings, and old sketchbooks filled with studies. One looking particularly like how I use my own...

My first moleskine sketchbook ended in disaster. The binding fell apart only a few spreads in. Ouch! Three years later I’m giving it another go. Rediscovering how the paper acts with my favourite art supplies, and whether the sketchbook can hold up to daily use this time.

I brought my compact travel art kit with me on a recent search for fossils along the coast of the North Sea. Creative inspiration can be found everywhere, and sometimes can reach all the way back into childhood memories. Join me as I share with you the treasures of the Yorkshire coast from fossils to the folklore-rich Witch Stones (aka Hag Stones, Odin Stones, Adder Stones) and some of the sketches this trip inspired.

Ever wonder what is actually like trying to draw or paint moving animals from life? Join me as I take you through my sketching trip at Yorkshire Wildlife Park, including all the highs, lows, and surprises that sketching outside brings! There are things you can do in advance to help prepare you for success, and to determine what that success even is for you. However, a lot of the skill building will come from actually putting pen to paper on the day itself, despite all the chaos nature and other people may throw at you.

Sketching moving animals from life is a unique challenge, but is there a way to help prepare yourself for it? In this post I share how I prepped for a sketching trip at Yorkshire Wildlife Park, and a simple exercise to do at home that helps bridge the gap of drawing animals from reference images and animals from life. I also talk about how I choose my art supplies for the travel kit, and how preparing my creative mindset is integral to my self-studying practice.

Explaining my self studying method to prepare myself for painting animals from life this year. I share my process and thinking by talking through a recent pencil and watercolour sketch I did of the polar bear Hamish. The goal-focused method involves considering the materials, conditions, time constraints, and approaches required when painting a moving animal on location.

After a surprise visit to the Ruskin Collection in Sheffield, and taking my sketchbook out to draw there, I ponder the benefits of observational sketching, developing and artists eye, and creating our own collections of oddities and curiosities for still life studies.